The rain outside was cold in Hadrian's
soul.
The boy lay dead
On the low couch, on whose denuded
whole,
To Hadrian's eyes, whose sorrow was a
dread,
The shadowy light of Death's eclipse
was shed.
The boy lay dead, and the day seemed a
night
Outside. The rain fell like a sick
affright
Of Nature at her work in killing him.
Memory of what he was gave no delight,
Delight at what he was was dead and
dim.
O hands that once had clasped
Hadrian's warm hands,
Whose cold now found them cold!
O hair bound erstwhile with the
pressing bands!
O eyes half-diffidently bold!
O bare female male-body such
As a god's likeness to humanity!
O lips whose opening redness erst
could touch
Lust's seats with a live art's
variety!
O fingers skilled in things not to be
told!
O tongue which, counter-tongued, made
the blood bold!
O complete regency of lust throned on
Raged consciousness's spilled suspension!
These things are things that now must
be no more.
The rain is silent, and the Emperor
Sinks by the couch. His grief is like
a rage,
For the gods take away the life they
give
And spoil the beauty they made live.
He weeps and knows that every future
age
Is looking on him out of the to-be;
His love is on a universal stage;
A thousand unborn eyes weep with his
misery.
Antinous is dead, is dead for ever,
Is dead for ever and all loves lament.
Venus herself, that was Adonis' lover,
Seeing him, that newly lived, now dead
again,
Lends her old grief's renewal to be
blent
With Hadrian's pain.
Now is Apollo sad because the stealer
Of his white body is for ever cold.
No careful kisses on that nippled
point
Covering his heart-beats' silent place
restore
His life again to ope his eyes and
feel her
Presence along his veins Love's
fortress hold.
No warmth of his another's warmth
demands.
Now will his hands behind his head no
more
Linked, in that posture giving all but
hands,
On the projected body hands implore.
The rain falls, and he lies like one
who hath
Forgotten all the gestures of his love
And lies awake waiting their hot
return.
But all his arts and toys are now with
Death.
This human ice no way of heat can
move;
O Hadrian, what will now thy cold life
be?
What boots it to be lord of men and
might?
His absence o'er thy visible empery
Comes like a night,
Nor is there morn in hopes of new
delight.
Now are thy nights widowed of love and
kisses;
Now are thy days robbed of the night's
awaiting;
Now have thy lips no purpose for thy
blisses,
Left but to speak the name that Death
is mating
With solitude and sorrow and affright.
Thy vague hands grope, as if they had
dropped joy.
To hear that the rain ceases lift thy
head,
And thy raised glance take to the
lovely boy.
Naked he lies upon that memoried bed;
By thine own hand he lies uncoverèd.
There was he wont thy dangling sense
to cloy,
And uncloy with more cloying, and
annoy
With newer uncloying till thy senses
bled.
His hand and mouth knew games to
reinstall
Desire that thy worn spine was hurt to
follow.
Sometimes it seemed to thee that all
was hollow
In sense in each new straining of
sucked lust.
Then still new turns of toying would
he call
To thy nerves' flesh, and thou wouldst
tremble and fall
Back on thy cushions with thy mind's
sense hushed.
»Beautiful was my love, yet
melancholy.
He had that art, that makes love
captive wholly,
Of being slowly sad among lust's
rages.
Now the Nile gave him up, the eternal
Nile.
Under his wet locks Death's blue
paleness wages
Now war upon our wishing with sad
smile.«
Even as he thinks, the lust that is no
more
Than a memory of lust revives and
takes
His senses by the hand, his felt flesh
wakes,
And all becomes again what 'twas
before.
The dead body on the bed starts up and
lives
And comes to lie with him, close,
closer, and
A creeping love-wise and invisible
hand
At every body-entrance to his lust
Whispers caresses which flit off yet
just
Remain enough to bleed his last
nerve's strand,
O sweet and cruel Parthian fugitives!
So he half rises, looking on his
lover,
That now can love nothing but what
none know.
Vaguely, half-seeing what he doth
behold,
He runs his cold lips all the body
over.
And so ice-senseless are his lips
that, lo!,
He scarce tastes death from the dead
body's cold,
But it seems both are dead or living
both
And love is still the presence and the
mover.
Then his lips cease on the other lips'
cold sloth.
Ah, there the wanting breath reminds
his lips
That from beyond the gods hath moved a
mist
Between him and this boy. His
finger-tips,
Still idly searching o'er the body,
list
For some flesh-response to their
waking mood.
But their love-question is not
understood:
The god is dead whose cult was to be
kissed!
He lifts his hand up to where heaven
should be
And cries on the mute gods to know bis
pain.
Let your calm faces turn aside to his
plea,
O granting powers! He will yield up
his reign.
In the still deserts he will parchèd
live,
In the far barbarous roads beggar or
slave,
But to his arms again the warm boy
give!
Forego that space ye meant to be his
grave!
Take all the female loveliness of
earth
And in one mound of death its remnant
spill!
But, by sweet Ganymede, that Jove
found worth
And above Hebe did elect to fill
His cup at his high feasting, and
instil
The friendlier love that fills the
other's dearth,
The clod of female embraces resolve
To dust, o father of the gods, but
spare
This boy and his white body and golden
hair!
Maybe thy better Ganymede thou feel'st
That he should be, and out of jealous
care
From Hadrian's arms to thine his
beauty steal'st.
He was a kitten playing with lust,
playing
With his own and with Hadrian's,
sometimes one
And sometimes two, now linking, now
undone;
Now leaving lust, now lust's high
lusts delaying;
Now eying lust not wide, but from
askance
Jumping round on lust's
half-unexpectance;
Now softly gripping, then with fury
holding,
Now playfully playing, now seriously,
now lying
By th' side of lust looking at it, now
spying
Which way to take lust in his lust's
withholding.
Thus did the hours slide from their tangled
hands
And from their mixèd limbs the moments
slip.
Now were his arms dead leaves, now
iron bands;
Now were his lips cups, now the things
that sip;
Now were his eyes too closed and now
too looking;
Now were his uncontinuings frenzy
working;
Now were his arts a feather and now a
whip.
That love they lived as a religion
Offered to gods that come themselves
to men.
Sometimes he was adorned or made to
don
Half-vestures, then in statued nudity
Did imitate some god that seems to be
By marble's accurate virtue men's
again.
Now was he Venus, white out of the
seas;
And now was he Apollo, young and
golden;
Now as Jove sate he in mock judgement
over
The presence at his feet of his slaved
lover;
Now was he an acted rite, by one
beholden,
In ever-repositioned mysteries.
Now he is something anyone can be.
O stark negation of the thing it is!
O golden-haired moon-cold loveliness!
Too cold! too cold! and love as cold
as he!
Love through the memories of his love
doth roam
As through a labyrinth, in sad madness
glad,
And now calls on his name and bids him
come,
And now is smiling at his imaged
coming
That is i'th' heart like faces in the
gloaming -
Mere shining shadows of the forms they
had.
The rain again like a vague pain arose
And put the sense of wetness in the
air.
Suddenly did the Emperor suppose
He saw this room and all in it from
far.
He saw the couch, the boy, and his own
frame
Cast down against the couch, and he
became
A clearer presence to himself, and
said
These words unuttered, save to his
soul's dread:
»I shall build thee a statue that will
be
To the continued future evidence
Of my love and thy beauty and the
sense
That beauty giveth of divinity.
Though death with subtle uncovering
hands remove
The apparel of life and empire from
our love,
Yet its nude statue, that thou dost
inspirit,
All future times, whether they will't
or not,
Shall, like a gift a forcing god hath
brought,
Inevitably inherit.
»Ay, this thy statue shall I build,
and set
Upon the pinnacle of being thine, that
Time
By its subtle dim crime
Will fear to eat it from life, or to
fret
With war's or envy's rage from bulk
and stone.
Fate cannot be that! Gods themselves,
that make
Things change, Fate's own hand, that
doth overtake
The gods themselves with darkness,
will draw back
From marring thus thy statue and my
boon,
Leaving the wide world hollow with thy
lack.
»This picture of our love will bridge
the ages.
It will loom white out of the past and
be
Eternal, like a Roman victory,
In every heart the future will give
rages
Of not being our love's contemporary.
»Yet oh that this were needed not, and
thou
Wert the red flower perfuming my life,
The garland on the brows of my
delight,
The living flame on altars of my soul!
Would all this were a thing thou
mightest now
Smile at from under thy death-mocking
lids
And wonder that I should so put a
strife
Twixt me and gods for thy lost
presence bright;
Were there nought in this but my empty
dole
And thy awakening smile half to
condole
With what my dreaming pain to hope
forbids.«
Thus went he, like a lover who is
waiting,
From place to place in this dim
doubting mind.
Now was his hope a great intention
fating
Its wish to being, now felt he he was
blind
In some point of his seen wish
undefined.
When love meets death we know not what
to feel.
When death foils love we know not what
to know.
Now did his doubt hope, now did his
hope doubt;
Now what his wish dreamed the dream's
sense did flout
And to a sullen emptiness congeal.
Then again the gods fanned love's
darkening glow.
»Thy death has given me a higher lust
-
A flash-lust raging for eternity.
On mine imperial fate I set my trust
That the high gods, that made me
emperor be,
Will not annul from a more real life
My wish that thou should'st live for
e'er and stand
A fleshly presence on their better
land,
More lovely yet not lovelier, for
there
No things impossible our wishes mar
Nor pain our hearts with change and
time and strife.
»Love, love, my love! thou art already
a god.
This thought of mine, which I a wish
believe,
Is no wish, but a sight, to me allowed
By the great gods, that love love and
can give
To mortal hearts, under the shape of
wishes -
Of wishes having undiscovered reaches
-,
A vision of the real things beyond
Our life-imprisoned life, our
sense-bound sense.
Ay, what I wish thee to be thou art
now
Already. Already on Olympic ground
Thou walkest and art perfect, yet art
thou,
For thou needst no excess of thee to
don
Perfect to be, being perfection.
»My heart is singing like a morning
bird.
A great hope from the gods comes down
to me
And bids my heart to subtler sense be
stirred
And think not that strange evil of
thee
That to think thee mortal would be.
»My love, my love, my god-love! Let me
kiss
On thy cold lips thy hot lips now
immortal,
Greeting thee at Death's portal's
happiness,
For to the gods Death's portal is
Life's portal.
»Were no Olympus yet for thee, my love
Would make thee one, where thou sole
god mightst prove,
And I thy sole adorer, glad to be
Thy sole adorer through infinity.
That were a universe divine enough
For love and me and what to me thou
art.
To have thee is a thing made of gods'
stuff
And to look on thee eternity's best part.
»But this is true and mine own art:
the god
Thou art now is a body made by me,
For, if thou art now flesh reality
Beyond where men age and night cometh
still,
'Tis to my love's great making power
thou owest
That life thou on thy memory bestowest
And mak'st it carnal. Had my love not
held
An empire of my mighty legioned will,
Thou to gods' consort hadst not been
compelled.
»My love that found thee, when it
found thee did
But find its own true body and exact
look.
Therefore when now thy memory I bid
Become a god where gods are, I but
move
To death's high column's top the shape
it took
And set it there for vision of all
love.
»O love, my love, put up with my
strong will
Of loving to Olympus, be thou there
The latest god whose honey-coloured
hair
Takes divine eyes! As thou wert on
earth, still
In heaven bodyfully be and roam,
A prisoner of that happiness of home,
With elder gods, while I on earth do
make
A statue for thy deathlessness' seen
sake.
»Yet thy true deadless statue I shall
build
Will be no stone thing, but that same
regret
By which our love's eternity is
willed.
One side of that is thou, as gods see
thee
Now, and the other, here, thy memory.
My sorrow will make that men's god,
and set
Thy naked memory on the parapet
That looks upon the seas of future
times.
Some will say all our love was but our
crimes;
Others against our names the knives
will whet
Of their glad hate of beauty's beauty,
and make
Our names a base of heap whereon to
rake
The names of all our brothers with
quick scorn.
Yet will our presence, like eternal
Morn,
Ever return at Beauty's hour, and
shine
Out of the East of Love, in light to
enshrine
New gods to come, the lacking world to
adorn.
»All that thou art now is thyself and
I.
Our dual presence has its unity
In that perfection of body which my
love,
By loving it, became, and did from
life
Raise into godness, calm above the
strife
Of times, and changing passions far
above.
»But since men see more with the eyes
than soul,
Still I in stone shall utter this
great dole;
Still, eager that men hunger by thy
presence,
I shall to marble carry this regret
That in my heart like a great star is
set.
Thus, even in stone, our love shall
stand so great
In thy statue of us, like a god's
fate,
Our love's incarnate and discarnate
essence,
That, like a trumpet reaching over
seas
And going from continent to continent,
Our love shall speak its joy and woe,
death-blent,
Over infinities and eternities.
»And here, memory or statue, we shall
stand,
Still the same one, as we were hand in
hand
Nor felt each other's hand for feeling
feeling.
Men still will see me when thy sense
they take.
The entire gods might pass in the vast
wheeling
Of the globed ages. If but for thy
sake,
That, being theirs, hadst gone with
their gone band,
They would return, as they had slept
to wake.
»Then the end of days when Jove were
born again
And Ganymede again pour at his feast
Would see our dual soul from death
released
And recreated unto joy, fear, pain -
All that love doth contain;
Life - all the beauty that doth make a
lust
Of love's own true love, at the spell
amazed;
And, if our very memory wore to dust,
By some gods' race of the end of ages
must
Our dual unity again be raised.«
It rained still. But slow-treading
night came in,
Closing the weary eyelids of each
sense.
The very consciousness of self and
soul
Grew, like a landscape through dim
raining, dim.
The Emperor lay still, so still that
now
He half forgot where now he lay, or
whence
The sorrow that was still salt on his
lips.
All had been something very far, a
scroll
Rolled up. The things he felt were
like the rim
That haloes round the moon when the
night weeps.
His head was bowed into his arms, and
they
On the low couch, foreign to his
sense, lay.
His closed eyes seemed open to him,
and seeing
The naked floor, dark, cold, sad and
unmeaning.
His hurting breath was all his sense
could know.
Out of the falling darkness the wind
rose
And fell; a voice swooned in the
courts below;
And the Emperor slept.
And the Emperor slept. The gods came
now
And bore something away, no sense
knows how,
On unseen arms of power and repose.
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